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'Guillermo del Toro's Pinocchio' surpasses every adaptation of the fairytale
'Violent Night' isn't nearly as good as its concept
'She Said' is more than just a reenactment - it's a reckoning
'Glass Onion' is another delicious slice of murderous fun
'Strange World' journeys to a familiar place with fresh perspectives
'Bones and All' fuses body horror with affecting relationship drama
'Disenchanted' lacks the sparkle and magic of the original
'Armageddon Time' loses itself in the past
'The Menu' almost chokes on what it serves
'Aftersun' lights the way for Paul Mescal and director Charlotte Wells
Like its star, 'Confess, Fletch' is full of slick, easy charm
'Black Panther: Wakanda Forever' tries to process grief in a Marvel blockbuster
'Watcher' is a glossy thriller that glosses over the plot
Mummies
What's Love Got To Do With It?
Nocebo
'The Wonder' flickers in the darkness
'Living' delivers a career-best performance for Bill Nighy
'Barbarian' is a potent blend of fear and funny
'Bros' is a gay rom-com playing it straight
'Black Adam' should really be called 'Bland Adam'
'Decision To Leave' might just be the best-looking movie of 2022
'The Banshees of Inisherin' makes black comedy out of bleak Irish history
'Halloween Ends' puts the franchise out of its misery
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